Part six of a
series of posts reflecting on almost a decade of DIY culture - focusing this
time on putting on an “event”, writing letters and some thoughts on electronic
communication. For an introduction to this series, click here.
Ten:

2017: This fragment partly inspired a previous post
entitled The Best
Things Happen in Secret. I won’t add to it, except to underline that the ‘payment’ I
get from playing in a band isn’t financial. It’s getting to see other cool
bands I didn’t know existed, meeting good people – and crucially, having a
story to tell. I want to go into work on Monday with the wildest anecdote about
my weekend, even more so now I’m sober and I can see that there’s sometimes a
laziness about using drinking as permission to do something ‘crazy’. The most
memorable punk shows are often the ones that are most removed from your parents’
idea of what a gig should look like. Putting on fancy dress to get drunk
doesn’t count either (fuck right off).
Eleven:
2008: Write a letter. Yeah it’s slow. Yes it costs
money. Yes it takes effort. But all that shows you care. It takes no effort at
all to write a comment on my Myspace page, and that’s totally cool. I know were
all busy and you might not have much to say to me beyond “are you going to that
CIRCUS ACT show?” And
I think that any way to communicate and keep people together is a good thing.
But it’s much better to get a letter someone had to sit down and write, and
then put in an envelope with beer mats, post cards, mix tapes, and other free
shit they collected. You get something permanent you can look at when you find
it in a shoe box in 2030 and it showed that someone cared enough about you to do
something the hard way for once all those years before.
2010: I’ve been thinking a lot about this recently. It
bums me out that instead of a pile of old letters, I’ve just got a bunch of
saved emails and texts.
*
2017: I can’t remember the last time I sent a letter
that wasn’t just a note in with a zine or mix CD-R.
*
It seems like a lot of digital communication is throw
away. By this I mean that despite permanently sitting on a server
somewhere, it’s somehow lost to us much quicker than analogue forms. Of course
verbal communication is and always has been instantly lost whether its face to
face or over a phone, but it seems to be that there’s not really a digital
equivalent of keeping a shoe box full of letters that you might rediscover one
maudlin afternoon and retread moments you decided were important.
I suppose that you might have an old email account with
a saved messages folder but as we move from platform to platform, what happens
to all these old interactions? I recently shut down that Myspace page without a
second thought. Most of the messages I lost were banal of course but what about
the ones that weren’t? SMS is even worse. Who keeps a stash of old Sim cards
and working handsets to flick through on a rainy Sunday?
It’s not just personal history that’s hard to access.
What will social historians look at? How will our grand children construct
family histories? What will be the 21st century equivalent of
finding a stash of letters in a house clearance? It seems a paradox that as
more and more data is harvested forever – intrusively and against our wishes -
our meaningful access to it long term is less and less.
Although capital inserted itself into our communication
before – after all, you had to buy a stamp and some stationary – it seems a
markedly different relationship now. If I send you a letter, its then yours.
You have it, theoretically until it rots away. But that old Myspace message is
something else in that it remains mediated by the platform – you have to log in
to access it. It’s a bit like having to go to the post office and show ID every time you
want to reread a letter.
You can probably find a way to save it in another
format, maybe there’s a way to archive your text messages in another device or
platform, you can definitely print out a hard copy of an email if you like. But you
probably aren’t going to, meaning that instead of a one off exchange, a
corporation has a permanent mediating role in you accessing it. That’s
something that’s become normalised, but really – it’s pretty odd.
*
Just so you know. That banner image on the Facebook
event you used as the only form of promotion won’t be adorning anyone’s wall,
flyer collection or retrospective scene photo book either.
*
I don’t believe in ghosts, though sometimes I need to
remind myself of that, just as I don’t believe in other superstitions but I’ll
still rub the foot of Ted Bates statue on the way to a match and refuse to say
anything positive in case it jinxes my team. But I’ve often thought that if I’m
wrong and I end up coming back to haunt you motherfuckers, I’d probably end up
haunting a hand set.
Are haunted phones a thing? It probably should be if
spirits haunt the places where emotionally intense things happened. If ghosts
are remnants of strong emotions that haven’t quite dissipated, then I’ve
certainly got a pile of broken mobiles kicking around that I’ve poured love and
bile into.
If you think about it, the kinds of wonderful, painful, ecstatic, regret-soaked conversations that our for-bearers had to have face
to face in their stone hovels we can have on the go. That lingering energy
would be a kind of decentralised haunting, not tied to any particular location
now that we can break and fix our own hearts on buses, walking through parks,
in train carriages, supermarkets, cars, lunch rooms... The other person isn’t
even there. The location is inter-changeable as long as there’s signal. The
tool that makes it possible though is constant. We’re pouring all this
intensity into a little box of plastic and wires. All this epic psychic energy
captured and chucked out into space - there must be something left over.
These obsolete, rundown phones are “dead.” Language
hints at the possibility of a haunting already.
Boo.
*
(I should write you).
Some of the observations in this piece were inspired by the excellent book 'Filling the Void' by Marcus Gillroy-Ware.
Some of the observations in this piece were inspired by the excellent book 'Filling the Void' by Marcus Gillroy-Ware.
*
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